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Posts Tagged ‘handspinning’

tahkli and cotton--green-brown-bolls and skeins - BLOG

Nankeen Brown and Erlene’s Green cotton with a tahkli spindle. The fiber is lighter at harvest, as you see in the bolls, and darkens once you scour it.

I love to spin cotton, but I will be the first to admit that it is not an easy thing to learn. I had no knowledge of spinning any fiber when I took on cotton, but I wanted to learn to spin fiber that I grew in my garden. Wool spinners had told me it was hard to spin cotton because it was such a short fiber. However, since I would learn on cotton, I figured that would be my normal.

Cotton is a short fiber, being only about an inch or so long, more or less. You are probably familiar with seeing drop spindles that spinners use. You see them hanging from the fiber in front of the spinner while she/he works. Short fibers, such as cotton, require a lighter weight supported spindle. The tip of the spindle rests in a small dish while spinning. I needed to acquire a spindle and instruction, so I turned to Joan Ruane in Arizona. I didn’t make the trip there, but learned from her video, which came in a kit that included a tahkli spindle, support dish, bobbins, and cotton sliver. It took much practice to go beyond something that resembled rope to something that resembled thread, but I kept at it. Eventually muscle memory kicked in and things got easier. Joining a handspinning group helped tremendously.

When you look for cotton fiber to spin, most likely what you will find is cotton sliver, which is a long rope-like preparation. You might come across roving, which is a thinner preparation of sliver. I often use the words sliver and roving interchangably. I learned when working with sliver that, by dividing it lengthwise into several strands, it was easier to work with if I only used a strand at a time. You might also find cotton in the form of punis, which is cotton that has been carded and rolled into cigar shapes. I have never spun from punis.

lazy kate-bobbins and carboard box - BLOG

Box holding tahkli for winding off; plastic, wood, and homemade bamboo bobbins; lazy kate that holds two bobbins for plying.

None of those preparations are quite like what you will be working with from your homegrown cotton, but it is something to learn from. I believe that anyone learning to spin should learn to spin with a spindle before progressing to a wheel. For one thing, it is cheaper to get started. Also, you gain skills that will help you with any spinning. With only one tahkli spindle I was able to spin enough cotton to make my vest, which you can learn more about here. Once the spindle was full, I would wind it off onto a bobbin and fill the spindle again. In the photo you can see the cardboard box I used to hold the spindle while I wound off onto bobbins. I bought plastic and wooden bobbins and even made some from bamboo. With 2 bobbins on a lazy kate, I could ply the cotton on a larger spindle made with a dowel and 2” wooden wheel. I used 2-ply cotton for both warp and weft when I wove the fabric.

book charkha-cotton-seeds-mat - BLOG

Indian book charkha from New World Textiles.

After the vest, I made a shirt. By this time I had acquired an Indian book charkha from New World Textiles and used that to spin all the cotton for the shirt. I had also acquired a Louet S10 spinning wheel. I used the spinning wheel for the plying, but I needed to get a high-speed bobbin to do it. No matter how fast I treadled, the regular bobbin did not go around fast enough. Cotton requires a high spinning ratio. Plying with the wooden spindle worked great, but using the spinning wheel for that job was faster.

I can spin off the seed with the tahkli, but find the charkha is so fast that it is better to take the seeds out first, which I do by hand. However, when I first started working with cotton I thought I would need to card it. Cotton cards cost more than I wanted to spend for a project I was just getting into, so I bought dog brushes at the pet store. They worked fine. I’ve since acquired regular cotton cards, but the lighter weight dog brushes are great for starting out. I only card the fiber if it has become compacted. I’m working with some cotton right now that I didn’t grow. This cotton had the seeds removed with an electric cotton gin and I find that I need to card the fiber before spinning. Some spinners card cotton and roll it into punis. I find that unnecessary. The fiber that I’ve taken the seeds from is loose enough to spin as it is and the fiber that I’ve carded is also loose enough. Of course, spinning it off the seed is the easiest way and that can happen with your homegrown supply.

Sliver, roving, and punis are fiber preparations that are better for commercial transactions. They can be manufactured, measured, stored, and shipped easier than working with cotton fluff pulled from the seed. Actually, in manufacturing, the fiber isn’t pulled from seeds, it is cut from them in the ginning process.

balls of cotton for shirt and swift - BLOG

Swift with skeins and balls of naturally colored cotton for a shirt.

When I made the vest, I worked with one spindle at a time and put the fiber on bobbins. From there it went into skeins. Since three spindles came with the charkha, once I had three spindles full, I wound the fiber from all three spindles into one skein using my swift. Lacking a swift, you could wind it around anything that you could remove it easily from. I scoured the skeins by boiling them in a large pot of water with washing soda and a bit of soap. That is when the color pops. The fiber was then wound into balls over a core of crumpled paper. The balls you see of cotton in this photo are what I prepared for my shirt.

The cotton you grow in your garden is a premium product. Hand picking ensures that the fiber is never subjected to the harsh treatments that commercial cotton is. Take care in the picking to not also gather leaves or other bits of the plant that will dry and be hard to pick out later. Removing the seeds by hand is not hard. You can take a small bag of seeded cotton with you anywhere and work on the seeds while you are waiting for whatever you need to wait for. It is good to keep your hands busy. Save the seeds to plant next year.

For spinning, I have recently moved up to a Bosworth attache charkha, which is wonderful. As much as I like it, I would hope that you start your cotton journey with a tahkli, like I did. I still use my tahlki and spin with it in public whenever I can. Spinning in public is a great way to meet people and spread the word that this is actually something you can do, not something out of the history books. Have fun spinning!homeplace earth

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spinning wheel-flax distaff - BLOGI have promised to take you through the whole process of seed to garment with flax this year. You start with getting seeds in the ground, then once harvest occurs—which is about 100 days from planting—a whole lot more needs to happen before you have fiber to spin. Nevertheless, I have decided to jump right to spinning. You can learn to spin flax fiber you have bought while you are waiting for the harvest. That is what I did starting out. When it is closer to harvest, I’ll write about what to do next.

Whether you are going to spin flax or cotton, it is always a bit different working with “store bought” fiber, rather than with your homegrown fiber. However, any experience you have with whatever fiber you can acquire will be beneficial. Lacking homegrown flax, you can buy flax to spin in either strick form, also known as line flax, or roving. A strick is what you will have from your homegrown flax. It is long flax fibers, just as it would come from the hackles. You will learn about hackles in a future post. You need to keep those fibers manageable while you are spinning, and that is the part that was daunting to me at first, until I learned that all I needed to do was to hang them up like a ponytail and pull fibers from the bottom to spin. You can see in the photo that I hang a flax strick from a fancy stand that I believe held a lamp long ago. I thought it was interesting when I found it in someone’s barn, not knowing that I would put it to use as a distaff.

distaff with flax - BLOGA distaff is what is used to hold fibers for spinning. You might have seen photos of traditional distaffs with flax fibers surrounding a core with a ribbon holding everything in place. In the Flax to Linen class at the John C. Campbell Folk School I learned to spread the fibers from a flax strick out and fill a distaff. This photo was taken during that class. Some distaffs are shorter and made to be portable. The spinner puts one end in her/his belt or pocket, supporting the rod with their arm, as they spin on a spindle.

That was interesting and traditional, and I am sure it has some advantages, but hanging up the flax ponytail is a lot easier. A ribbon can still be added if you like. A simple free-standing distaff can be made from a long dowel or broom handle mounted on a base. A knob on top will give you something to tie the flax to. In her book The Practical Spinner’s Guide: Cotton, Flax, and Hemp, Sephanie Gaustad suggests putting a broom into a Christmas tree stand for a distaff. You could even hang a flax ponytail from a nail in the wall.

turkish spindle with flax sliver - BLOG

Turkish spindle with flax roving.

When I spin at home with my Louett S10 wheel, I use the set-up you see in the first photo. That spinning wheel was a gift from a friend who no longer needed it. I didn’t shop around and choose it for spinning flax. When I spin flax away from home I spin on a spindle; more specifically, a Turkish spindle. There are many kinds of spindles you could use, but I chose this one because I was in need of a spindle for flax when I visited the Woolgatherers store in Wisconsin and found this one made by a local woodworker from local wood. Furthermore, the woodworker’s name was Scott Snyder—same name as my brother in Ohio, who is also a woodworker. My brother makes rocking horses and other rocking things. I think Turkish spindles are great because they come apart, leaving you with your ball of yarn intact. You spin a length of yarn, then wind on going over two legs and under one all around (or over one and under two). Attach the yarn to the top of the spindle with a half-hitch and you are ready to spin some more.

You can make a drop spindle with a ¼” dowel, about 12” long or so, and a 2” wooden wheel, such as you would find in a craft store. If you put a hook in the end of the dowel, you don’t have to bother with the half hitch at the top when you are spinning. Once you spin a length of yarn, you wind it on the dowel, then spin some more.

Although I spin cotton clockwise (Z twist), I read in Linen: From Flax Seed to Woven Cloth by Linda Heinrich that flax fibers naturally spin counter-clockwise (S twist), so I spin flax counter-clockwise. To tell the truth, I never took the time to notice the natural spin of flax. You can spin either way, as long as you remember which way that is and always do it the same.

turkish spindle with flax strick - BLOG

Turkish spindle with flax strick.

The flax you buy to spin might be in roving form (above photo), which is sort of an untwisted rope. Cotton spinners may be familiar with cotton roving. The fibers in roving, which is machine prepared, are shorter than line flax. When I was first learning I bought flax roving from Paradise Fibers and a strick from Woolgatherers. At first I thought that the roving would be easier. I left it wound up in the bag it came in and pulled from there. I put the flax bag inside a shoulder bag so that it was hanging at my side and spun it on my Turkish spindle. However, the more I worked with the line flax, the better I liked it. Also, the line flax was what I would be working with once I grew my own. I learned that I could fold a towel around the line flax and lay it in my lap while I spun on my spindle. Of course, if I am walking around, like I tend to do at a handspinning meeting, I need to drape the towel over my arm or put in my shoulder bag hanging at my side.

It is best to moisten flax with water or saliva while you are spinning it. It will help to make it smooth, avoiding a hairy appearance. Traditionally, a spinner would lick her/his fingers while spinning to provide the moisture. Although I have used the saliva method, and like the idea of my enzymes being added to the fiber, I usually spin at the wheel with a dish in my lap holding a rag moistened with water or, if I am moving around with the spindle, I attach a cup to my belt loop with a small carabiner to hold the moistened rag.

I hope these tips will help to get you started spinning flax. Practice now and you will be ready when you have your own homegrown fiber to spin

.homeplace earth

 

 

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Fall Fiber Festival WinnerI entered my homegrown handspun cotton vest in the Fall Fiber Festival that was to be held at Montpelier Station, VA on October 3-4, but because of impending weather conditions, it was cancelled. However, the judging for the Skein and Garment Competition had already taken place the week before. In order to show off the wonderful entries, Clothos, the handspinning group sponsoring the competition, decided to display them at their already scheduled meeting on October 10. It was an opportunity for everyone to come and see the exhibit and for the exhibitors to pick up their entries. As you can see from the photo, my vest was a big winner!

My vest won its class of Handspun Handmade-wearable, Best in Division, and Best in Show. It also won the Gladys Strong Memorial Award for Handweaving. I was thrilled! There were so many wonderful entries. As you know from previous posts, this vest has been a long time coming. I began learning to spin in 2011 and joined Clothos in November that year. I was definitely a newbie at this. It seemed to be slow going for quite awhile, especially since I became sidetracked writing two books. But I kept at it.

This vest was a personal challenge. I wanted to see what I could do with my own homegrown cotton. The festival was not even on my mind when I completed it in June. It was at the urging of Clothos members that I entered it in the competition. On Saturday several of them expressed their pleasure at how well my vest had done—to the extent that they felt that they had won also, and rightly so. They remembered me coming that first time with my spindle and cotton in hand. Month after month, they would be working on all sorts of projects and there I was, still with my spindle and homegrown cotton. I had so much to learn and the Clothos members were very giving with their knowledge and skills. Each month I gained just by watching and listening. The chairs are set up in a circle in the large room at the fire station where we meet and I make a point of going around the circle to find out what each one is doing. Many use spinning wheels, which I’m learning about now. There is always someone ready to answer any questions I have.

If you have wanted to learn something, be it spinning and weaving, playing a musical instrument, fixing your car, gardening, or some other skill, it is not too late. Find people who know about that and jump right in. Take classes or join a group. You will meet new people and make new friends along the way. It is nice to know that my interest in homegrown cotton is valued by others and is not just a quirk that I have. I will never top my winnings of this year in the competition. Nevertheless, I am excited to try new things and keep pushing the limits of what I can do. Maybe one year there will be a division or a class in the competition requiring the fiber used, whether animal or plant, to be grown by the artist. That would be fun.

It you want to see my vest, I’ll be wearing it at the Mother Earth News Fair in Topeka, Kansas on October 24-25. Come and see me there!homeplace earth

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Cindy in her homegrown, handspun cotton vest.

Cindy in her homegrown, handspun cotton vest.

My new vest is finished! In the photo I am wearing my new homegrown, handspun, handwoven, naturally-colored cotton vest. It has been a long time in coming. Growing the cotton and sewing the vest are skills and knowledge I already had. The spinning and weaving were things I needed to learn.

Homegrown cotton and takli spindle.

Homegrown cotton and takli spindle.

In February 2013 I wrote of my cotton spinning journey in my blog post Grow and Spin Cotton. I’ll repeat the photo here of my Nankeen Brown cotton, Erlene’s Green cotton, and takli spindle. All the fiber for the vest was spun on that spindle. Since cotton has such a short fiber length, it is helpful to use a support spindle, which is what a takli is. A small bowl supports the bottom of the spindle while it spins. Once the cotton was spun into singles I plied two singles into 2-ply yarn, which is what I used to weave with. The plying was done on a drop spindle that I made from a dowel and a small wooden wheel.

Small table loom with fabric for homegrown, handspun cotton vest.

Small table loom with fabric for homegrown, handspun cotton vest.

Joining Clothos Handspinners has been an important part of this fiber adventure. I learn so much from attending the meetings and interacting with the members. Every two years the group holds a swap meet which is an opportunity for members to sell extra equipment, fiber, and books and for others (like me) to acquire it. Some of that trading also goes on informally at the regular meetings. The swap meet was where I bought my loom. Then I had to learn to use it. This vest has not been an easy project. The loom is 12” wide, but my resulting fabric was only 9½” wide. I made a pattern from the quilted vest I wear, and from that, designed a pattern that used 9½” wide fabric. Since 9½” is not wide enough for a full front or back panel, there are side panels that make up the difference.

Erlene's green and Nankeen brown cotton spun and woven.

Erlene’s green and Nankeen brown cotton spun and woven.

I used brown for the warp and green for the weft. As you can see, the weft is dominant in the weaving. I grew both colors in the garden and, although they were a good distance apart, there was some crossing. I didn’t notice green in with the brown, but there would be some brown in with the green. Maybe brown is the dominant color when it comes to genetics. When I was spinning I didn’t separate the off-color fibers, so there was some brown spun with the green, just as it was harvested. The fiber from the green cotton plants also had bits of white. It made for a pleasant variation in color in the finished fabric. Although I did do some carding, mostly I spun the fiber right off the seed.

As noted in my 2013 blog post, my 2012 yield (fiber only, no seeds) was .75 lb (green) to 1 lb. (brown) fiber per 100 sq. ft. The weight of my vest is 11.5 oz. (.72 lb.) including lining and buttons. Frequently people assume I would have had to grow cotton on a larger scale to produce an item of clothing, but this can be done in a garden. I used cotton osnaburg fabric for the lining—a piece I had left from a previous project. Osnaburg has an earthy appearance and seemed right for the vest. Besides, I already had it.

Button made from a shell on the homegrown, handspun cotton vest.

Button made from a shell on the homegrown, handspun cotton vest.

Although I usually don’t button my vests closed, I wanted to have buttons and I wanted them to be special. My first thought was to make wooden buttons, but then I remembered the jar of shells our children picked up at the beach many years ago. I used small vice grips to nip the edges of a shell off—going round and round until it was the size I wanted for a button. Then I drilled two ⅟₁₆” holes in each button. I didn’t want to put buttonholes in my new fabric so I made loops by braiding my brown cotton yarn to close the vest, if I should want to. This was my first time making buttons from shells and I am pleased with the results. In the photo you can see a bit of the osnaburg lining.

Now that I know how to spin and weave, the possibilities for unique yarns and fabrics are endless. I will be learning about natural dyes and eventually learn to spin wool and to use a wheel. When I was at the Mother Earth News Fair in Asheville, NC in April I bought a book charka from Eileen Hallman at New World Textiles, but I haven’t used it yet so as not to distract me from finishing the vest. Once I learn how to use it, the charka will speed up my cotton spinning. For this vest I wanted to use the least technology that I could, not only because it was the least expensive way to go (which was a consideration), but because I wanted to relate to how people down through the ages worked with fiber to clothe themselves. I’m sure in some places people still depend on these methods and, you can be sure, I kept them in my heart while I worked.

When I first grew cotton I had no idea what to do with it and put it away in a box for at least ten years. It has taken some effort to learn to spin and to get to the point of making a vest with my homegrown cotton. I might have finished the vest earlier if I wasn’t sidetracked writing two books during that time. You might not be into growing and spinning your own cotton, but there is probably some other adventure that has been rolling around in your head for awhile—maybe even ten years or more. I want to encourage you to go for it. If I can learn to do this, you can learn new tricks, too.

I’ll be wearing my new vest at upcoming events this year, which are listed here. First up is the Slow Living Summit in Brattleboro, Vermont on June 3-5. See you there!

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green and brown cotton bolls with spindleI usually write about food crops and soil building, but today I’m talking about fiber. I have begun to grow cotton and have learned to spin it using a spindle. Growing and using cotton is more than just a new craft for me. It adds diversity to my garden, which is important in a permaculture garden, and it helps me connect with factors beyond the garden. Plants are grown around the world for more things than food. If our gardens are to provide for us and if we are ever going to be free from corporate domination, we need to consider everything. From our plants we can get food, fuel, medicine, fiber, dyes, and so on. The movement to make available food grown in a sustainable manner to everyone is gaining momentum. What about obtaining our other needs from sustainable sources?       

When India was a colony of Britain, Indian cotton was shipped to Britain and the Indians had to buy it back as fabric. Gandhi promoted spinning as an act of independence. If the Indians spun and used their own cotton, they would be free of British control of that resource. In fact, Gandhi had a contest to develop a small spinning wheel that was portable enough that people could easily spin in public and the box charka was born. What better act of nonviolent protest but to spin cotton into thread and yarn in public! Unfortunately, today Indian cotton farmers face another peril with the introduction of GMO cotton seeds. In 2000 I heard Vandana Shiva speak about the number of suicides among cotton farmers in India. They had been convinced to grow GMO cotton by Monsanto and things were not going well. The problems continue to this day. Please take the time to listen to her tell you about it here. Shiva’s organization Navdanya goes into these areas with open pollinated seeds to help the farm families recover.

In doing some research for this post I was heartened to find that there are projects underway to promote the sustainable growing of cotton around the world and in the U.S. You can find more about that at http://www.sustainablecottons.com/. Where is the fabric coming from for your cotton clothes? Begin looking for a Fairtrade label for cotton. Also, consider how the cotton you buy gets its color. Cotton grows naturally in more colors than white. Pakucho is the brand name of cotton from a project developed in Peru to revive the growing of colored cotton on small farms.

green cotton fiber and seeds--BLOG

1 ounce green cotton fiber/seeds

In 2004 I came across an article in Spin-Off magazine about a woman who had grown the cotton that she then spun (with a spindle) and wove into fabric for a shirt. You can read “My Cotton Shirt” here. At least I knew that my idea of growing cotton and making a shirt out of it wasn’t totally crazy. I did grow some cotton around that time, but I didn’t know anyone who was spinning cotton and I was busy with other things, so the harvest was stored away. The only spinners I knew worked with wool and said that, since cotton had such a short fiber, it was really hard to spin. I figured that if spinning cotton was all I knew, spinning cotton would be my normal and that wouldn’t be a problem. After all, people have spun cotton down through the ages so I should be able to learn this. For the past two summers I grew both Erlene’s Green and Nankeen Brown cotton. The seeds came from Southern Exposure Seed Exchange the first year and I saved them after that. There are a lot of seeds in cotton. In one ounce of green cotton that I weighed, 75% of that ounce was 185 seeds and 25% of that ounce was fiber.   

I turned to Joan Ruane to learn to spin the fiber into yarn, once I found her video Cotton Spinning With the Takli. A takli spindle is what is recommended for cotton and that’s what I’ve been using. My husband gave me her kit with fiber, spindle, and DVD as a gift and it was a great way to get started. It was very slow going at first, though. I had to remind myself of how it was when I taught myself to knit—only this seemed harder. Clothos Handspinners, a group of wonderful folks into handspinning, came to my rescue. At the first meeting I attended in November, 2011, Judith spent time teaching me some basics and I will be forever grateful. Most of the members show up with their spinning wheels, but there are some, like me, who are using a spindle. Most work in wool, but not exclusively. I am not interested in getting a wheel right now because I want to master the spindle. Besides, I want to see how much skill and knowledge I can gain with the least money spent. Another DVD that has helped me is Spinning Cotton by Stephanie Gaustad. If my garden DVDs have helped people as much as these cotton DVDs have helped me, I will be happy. My goal is to make a vest out of my homegrown, homespun cotton, so I’ll be learning to weave next. After that comes the shirt.

seeds and green spun cotton from 1 ounce fiber/seeds--plus spindle

seeds and green spun cotton from 1 ounce fiber/seeds–plus spindle

Cotton needs hot weather and a lot of sun. The varieties I grow take 130 days to mature, but it differs by variety. Sea Island White  requires 160 days. Start the seeds and set out transplants as you would tomatoes. I’ve heard of growing cotton in containers and bringing it inside when the weather turns cold if you live in a marginal climate. In my 2012 garden I harvested 2.5 pounds of green fiber and seed in an 80 ft.² bed. That works out to about .75 lb. fiber per 100 ft.² (and lots of seeds). The brown cotton harvest was equivalent to one pound fiber per 100 ft². I had 7-12 bolls on each plant. Now that I’m paying attention, I believe that I can better that harvest. The U.S. average is 1.7 pounds fiber per 100 ft². You could begin with just a few plants among your flowers.

knitted homegrown cotton sampleGrowing colored cotton has been really interesting. After cotton has been spun, it needs to be boiled to set the twist. When you do that, the color deepens. The green spun cotton shown with the spindle and seeds is the same cotton that is shown as fiber in the other photo with the seeds. In the sample that I’ve knitted, the deep green and brown colors are the natural colors after boiling the spun fiber. The white is what I grew years ago with only an inkling of an idea that I might want to do this sometime.

In 2007 a new charka was introduced in India. This e-charka allows the spinner to produce electricity while he/she spins. A battery stores the electricity to operate an LED light and a transistor radio. Spinning cotton by hand is still important in rural areas of India and elsewhere and this new charka will increase the quality of life for these spinners. Gandhi would be proud. For now, at least, I’ll stick with my spindle. Growing cotton and learning to spin it is a wonderful project. Doing it with children gives them a great glimpse into history. There are so many things you could talk about with them when you are working with the plants and fiber. As you spin your own homegrown fiber, keep in mind all those farmers who are keeping the old skills and seeds alive. Every good thought we have goes out as a ripple that eventually connects us all.Homeplace Earth

For more thoughts on growing and spinning cotton see http://www.motherearthnews.com/permaculture/grow-spin-cotton.aspx#axzz2LRWabZ00

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